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Sketch Book Art 1
Analyzing A Painting
Elements of Art
Principles of Design
Form and Contour Line
Positive -Negative Lesson
Value as in Black and White
Value Lesson-Black and White
Still Life Project
Color & Value as in Color
Color Lesson Plan
Paul Klee - Fantastic Child Artist
ttern and Repetition
Decoration Vs. Design
the Illusion of Depth
Illusion of Depth Lesson Plan
Van Gogh Landscape, Line & Marks
Art Nouveau-Organic Design&Pattern
Multi Media Assemblage & Fibre Art
Mixed Media Lesson Plan
Cubism, Fragmentation,Abstraction - Lesson Plan
Texture and Pattern
Pattern and Fish, Texture and Fish
Still Life Project
observation still life
Objective - Students will:
a) Use basic drawing steps to compose still life
b) produce a still life from observation.
* Project 1
a) intro to charcoal
b) charcoal drawing
Charcoal, 9x paper
* Project 2 Painting
a) intro, demo, history
b) intro Pressure sensitive method
c) three schools of still life Vanitas, natura mortem & xenia
a) contour drawing for shape - composition
b) positive negative drawing for light and dark
c) mono painting with water and one color
d) mono painting with one color and tint and shade
e) under painting - mono painting
f) begin painting using primary color & tints and shades -
) begin painting 9x12
12x18 for thumbnails and contour studies, 18x24 white paper for drawing. Pencils or charcoal
a) Tie into objectives
b) Walk about
d) Use of vocab
e) Sketches and drawings-visuals
f) craftsmanship-light to dark
g) composition and use of media
Matisse - notice the background and his use of pattern.
Who says it is finished?
Positve/negative drawing by Morandi
Value study by Richard Diebenkorn
Below - Van Gogh, Lemons This painting is an attempt at a type of pointillism.
Donald Sultan, Lemons
Anything can be a Still Life if it fits the definition.
Pointillist Still Lives
Some painters use a color scale, tints and shades. Others use compliments and that brings us to the Pointillist painters. The Impressionist also used compliments but these guys took it a couple steps beyond the Impressionist by not connecting the brush marks but instead used dots or placed the brush strokes side by side and let the viewers eye blend the colors.
Van Gogh, Apples. Maybe he has seen Cezanne's work
Notice the way this painting is colored, brush stroke by brush stroke.
Cezanne, Onions Notice in particular the background.
Cezanne, Waterjug and Pears
Paul Signac, Breakfast. Pointillism
A Contemporary example of Pointillism.
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